Field of Visual Arts

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Three-dimensional fireworks made of crystals of light that visitors can set off using their smartphones. Visitors can select the firework they like on their smartphone, make a wish, and set off a three-dimensional firework made of crystals of light. http://www.team-lab.net/en/all/products/crystalfireworks.html 来場者がスマートフォンで打ち上げることができる、光のクリスタルでできた立体の花火です。 来場者が自分のスマートフォンで、好きな花火を選んで投げ込むと、光のクリスタルできた立体の花火が打ち上がります。 http://www.team-lab.net/all/products/crystalfireworks.html

Crystal Fireworks →

March 28, 2017 by Luke Finch

Three-dimensional fireworks made of a cumulation of light points can be set off by visitors with their smartphones. After selecting a firework on their smartphone, people can see thee firework as a three-dimensional light display composed of hundreds and thousands of light points.

March 28, 2017 /Luke Finch
Digital Installation
Skatepark font is Motion Design/Typography iMessage Sticker Now On Sale! Skatepark Font on App Store https://itunes.apple.com/app/skatepark-font/id1200182785 Behance https://www.behance.net/gallery/47499253/Skatepark-Font Official Instagram Skatepark Font https://www.instagram.com/skateparkfont/ - Media - ABDUZEEDO Motion Design/Typography - Skatepark http://abduzeedo.com/motion-designtypography-skatepark Fubiz Great Font Inspired by Skateparks in GIFs http://www.fubiz.net/2017/01/21/great-font-inspired-by-skateparks-in-gifs/ Unrated Here’s a New Typeface… Made Entirely Out Of Animated Skatepark Parts http://unrtd.co/heres-a-new-typeface-made-entirely-out-of-animated-skatepark-parts/ Mixed Grill Deze font is gebaseerd op een skatebaan https://www.mixedgrill.nl/font-skatebaan/ UFUNK http://www.ufunk.net/design/skatepark-font/ Numerik http://numerik.blogspirit.com/archive/2017/01/25/keisuke-terashima-skatepark-font-3086840.html

Skatepark Font

March 28, 2017 by Luke Finch

Skatepark font as the name suggest is a typography but also motion design project shared by Keisuke Terashima. A graphic designer, motion designer and art director at PARTY in Tokyo, Japan.

March 28, 2017 /Luke Finch
Animation, Motion, Typography
Working with creative partners IBM Brand Experience & Design and Athletics New York, Universal Everything reimagined the moving identity of Watson: IBM’s face of cognitive computing. To bring IBM’s iconic AI avatar to life, Universal Everything played with the core theme of ‘Watson illuminates’ – developing and exploring the world of Watson. The studio explored what Watson is made of, his behaviour, personality and how he affects the world in which he lives.

Watson →

March 27, 2017 by Luke Finch

Universal Everything reimagined the moving identity of Watson: IBM’s face of cognitive computing. To bring IBM’s iconic AI avatar to life, Universal Everything played with the core theme of ‘Watson illuminates’ – developing and exploring the world of Watson. The studio explored what Watson is made of, his behaviour, personality and how he affects the world in which he lives.
 

March 27, 2017 /Luke Finch
Motion, Animation, Identity, AI
MicroAd President Kentaro Watanabe said, “Technology is evolving at a tremendous speed in the past few years. The evolution of AI has been said to replace half of our work, and has become an integral part of our daily lives. These will eventually lead to a different world from now. “The sky is one of the few remaining frontier in the new cyber space. It is the objective of this project. I would like to reach out to as many people in various places in the 21st century of fireworks." Think about this, the potential of this rapidly evolving technology in the world would be revolutionary. So, what are we exactly talking about? Rather than sitting around and waiting for something to happen, we want to pioneer this change by bringing about "flying vision”, to kick start this revolution. Creative Director by TSUYOSHI TAKASHIRO Film Director by TOSHIRO INOMATA Director of Photography by KOSHI KIYOKAWA Production Company by FPI,Inc. Produced by MicroAd, Inc. Sky Magic : magic.microad.co.jp/skymagic/ Drone performance at Mt. Fuji : https://vimeo.com/163266757 Press Conference : vimeo.com/164203705

Sky Magic →

March 27, 2017 by Luke Finch


Tsuyoshi Takagi is the creative director of the company Sky Magic.

"Sky Magic" uses the "small unmanned aerial drone" and "LED lights along with other advanced technologies to move and light the multiple drones to music.

March 27, 2017 /Luke Finch
Innovation, Futurisitc, Drone
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Surreal Traffic Lights →

March 24, 2017 by Luke Finch

"The unknown hue of blueish light is hidden for the human eye, but the photography shows us things we otherwise overlook, such as a simple traffic light on the street . An all known object which produces a strong graphical effect in an unnatural situation with a simple photographic setup."

 

Lucas Zimmermann is a photographer, a photographer, and a photographer. His photographic vision is part of a minimalistic research about light and color. This series

 

 

March 24, 2017 /Luke Finch

Asicstiger →

March 23, 2017 by Luke Finch

Scandinavian design agency Kontrapunkt joined forces with Bruce Mau Design in Toronto to expand Asics' five-letter logotype into a complete bespoke typography that empowers the ASICS Tiger brand.

March 23, 2017 /Luke Finch
Typography, Motion
A 3D animated short exploring patterns and their ability to create dynamic images out of the simplest elements. The whole video is a static shot that keeps evolving to something new with every second. Reflective surfaces are used a lot in order to create the illusion of different forms and play with the expectations of the viewer.

Patterns →

March 22, 2017 by Luke Finch

Dimitris Katsafourosi created a 3D animated short exploring patterns and their ability to create dynamic images out of the simplest elements. The whole video is a static shot that keeps evolving to something new with every second. Reflective surfaces are used a lot in order to create the illusion of different forms and play with the expectations of the viewer. 

Rendered in painstaking 4K!

March 22, 2017 /Luke Finch
Geometric, Animation, Motion
The National Academy of Sciences (NAS) approached us to create an anti-bullying PSA. We decided to create an artistic and visceral short that combines an emotional teacher's narrative with dance choreography. Instagram: https://www.instagram.com/dukeandtheduck/ - CREDITS: Client: National Academy of Sciences (www.nas.edu/ScienceOnBullying) Dance Studio: Bahay Base (https://www.instagram.com/bahaybase/) Ric Cunningham, Producer Alex Herder, Creative Director & Writer Joseph Le, Art Director & Director of Photography & Animator Dave Ellington, Animator Alex Au, 2nd Camera Lauren De Vera, Choreographer & Principal Dancer Chris Carlone, Music Composer Daniel Howard Àlásong, Assistant Music Composer Bryan Kopta, Voice Actor Extras: Amy Phan Charles H. Boyer Cindy Hoang Jarell Mique Vinh Si Ngo ~

You’re Not Helpless →

March 21, 2017 by Luke Finch

The Duke and The Duck were approached by The National Academy of Sciences (NAS) to create an anti-bullying PSA. They decided to create an artistic and visceral short that combines an emotional teacher's narrative with dance choreography.

March 21, 2017 /Luke Finch
Illustration, Motion, Emotional, Innovation
You don't have to be a child to enjoy this treehouse. A multidisciplinary design firm, A. Masow Architects, envisioned a beautiful tubular structure that can be built in the forest. The structure can be built around trees, so there is no need to cut down any. Produced by Gene Kim.

Tree in the House →

March 21, 2017 by Luke Finch

Kazakhstan based architect, Aibek Almasov unifies eco-friendliness, modern design, and nature in his 2013 concept ‘Modern Tree House’. The tactful design is purposed to be constructed around a tree lavishing up 4 floors through the center, allowing you to live first-hand with a tree.

 

With lighting, energy, and water being a priority, the clear structure is made of transparent solar panels connected to a Tesla ‘Powerwal’”, rainwater is collected for use, and wastewater is purified through a natural system. Potentially launching in 2017, this eco-responsible home means one less tree getting cut down throughout the years.

March 21, 2017 /Luke Finch
Architecture, Experimental, Innovation
Nike’s Global Sportswear team challenged Leviathan to get the right people talking about–and testing out–the brand’s new winter line of SneakerBoots and Tech Pack Aeroloft jackets. Launched in Shanghai, the event–dubbed Test Stride–invited media and VIP influencers to experience both lines’ weatherproof benefits, first-hand. Invented by Leviathan, hi-tech product displays guided participants to the core attraction: a 170-foot-long interactive obstacle course–complete with jagged terrain, a flooded street and barricaded alley. This competitive event used human motion to trigger visuals and track participant’s scores in real-time, while an automatic photo-capture feature displayed their victory across a vivid 30-ft-wide display. Nike Test Stride moved beyond familiar product trials to create an authentic and shareable experience for not-easily-impressed attendees. Coverage of the event was global, generating excitement around Nike’s release for premiere streetwear and fashion media outlets. Credits: President: Chad Hutson Director: Jason White Producer: Gina Giambalvo Editor: Kirill Mazor Lead Designer: Gareth Fewel 2D animation: Gareth Fewel, Alexis Copeland, Kyle Shoup, Nik Braatz Music & Sound Design: Joel Corelitz, Waveplant Production Crew: Studio Stare Produced by Leviathan lvthn.com

Nike Test Stride →

March 20, 2017 by Luke Finch

Nike’s Global Sportswear team challenged Leviathan to get the right people talking about–and testing out–the brand’s new winter line of SneakerBoots and Tech Pack Aeroloft jackets. Launched in Shanghai, the event–dubbed Test Stride–invited media and VIP influencers to experience both lines’ weatherproof benefits, first-hand.

 

Invented by Leviathan, hi-tech product displays guided participants to the core attraction: a 170-foot-long interactive obstacle course–complete with jagged terrain, a flooded street and barricaded alley. This competitive event used human motion to trigger visuals and track participant’s scores in real-time, while an automatic photo-capture feature displayed their victory across a vivid 30-ft-wide display.

 

Nike Test Stride moved beyond familiar product trials to create an authentic and shareable experience for not-easily-impressed attendees. Coverage of the event was global, generating excitement around Nike’s release for premiere streetwear and fashion media outlets.

March 20, 2017 /Luke Finch
Digital Installation
In short, this project explores a completely new way to knit. The knitting is done by hand, on a primitive circular loom; a few thousand meters of continuous black thread are knitted as straight lines across the circumference, in a pattern dictated by a specially designed algorithm. Note that there is a lot of computing involved in the process of making, but, the final artwork carries absolutely no technology. Although any digital picture can be converted to a knitting pattern of this type, portraits are the most interesting themes. Despite the extreme limitations of the design, the depicted faces are still recognizable, but inevitably appear fuzzy and smudged; a large degree of uncertainty about the characteristics and the emotions of the depicted persons is inducted. The project challenges our perception of reality and serves as a comment to our limited understanding of our world. The first series of knitted portraits is based on El Greco’s expressive figures. More info: http://artof01.com/vrellis/works/knit.html Available here: http://www.saatchiart.com/vrellis

Experimental Knitting →

March 20, 2017 by Luke Finch

Petros Vrellis explores a completely new way to knit on a primitive circular loom; a few thousand meters of continuous black thread are knitted as straight lines across the circumference, in a pattern dictated by a specially designed algorithm. The first series of knitted portraits is based on El Greco’s expressive figures.
 


 

March 20, 2017 /Luke Finch
Handscrafted
Code through a lense. A series of procedural animations, physical light & projection based experiments all shot in camera. Directed, created and produced by FutureDeluxe. DOP - Dom Jones Assistant DOP - Davy Evans

Intel Experiments →

March 19, 2017 by Luke Finch

Code through a lense. 
A series of procedural animations, physical light & projection based experiments all shot in camera. Directed, created and produced by FutureDeluxe.

March 19, 2017 /Luke Finch
Motion, Generative Art
In 2017, we take off. Soundtrack: https://soundcloud.com/rossbugden

FS-II →

March 16, 2017 by Luke Finch

Beautiful motion piece by designer Nicolas Lopardo

March 16, 2017 /Luke Finch
Motion, Geometric
Drone footage and motion tracking test. This is a progressive project so will extend and update it occasionally. Last update was: 7 Feb. Presented by the Creators Project: http://thecreatorsproject.vice.com/blog/digital-graffiti-concept-trip-augmented-reality?utm_source=tcpfbus Music: Ceephax Acid Crew - Moor from the album Exidy tours. Please note, this is just a simple test - for a more comprehensive upcoming project - with poor textures, low render settings and low poly models. Tools used: 3Ds max. Vray. Syntheyes motion tracking, HDRI-shop, DJI Phantom 3.

Spacial Bodies →

March 15, 2017 by Luke Finch

The Japan-based troupe released drone footage as part of a motion-tracking test in a two minute clip, Spatial Bodies. A drone camera pans over a selection of installation sites where programmers have erected artful yet alien structural distortions of natural and urban landscapes. Colossal metallic orbs protrude off of morphed building complexes, skyscrapers grow out of the sides of other skyscrapers, ambiguous cords of twisted white erupt from the earth’s core. The Aujik team has created a new dimension, their very own parallel universe, that you have to see to believe.

March 15, 2017 /Luke Finch
3D, Augmented Reality, Motion

Small Satellites →

March 14, 2017 by Luke Finch

Amazing satellite photography by Planet 

March 14, 2017 /Luke Finch
Photography, Landscapes
New Age | Dark Age | Integrated Video | 00:47:04 | http://monster.cat/1oqNzOA

Karma Fields →

March 13, 2017 by Luke Finch

Karma Fields is a visual music experiences involving electronic music and generative art visuals that correlate with the sound itself. I saw them in LA in November 2016 and the whole experience was so captivating to the point where i couldn't stop watching.

March 13, 2017 /Luke Finch
Motion, Music, Generative Art

Dark Matter →

March 10, 2017 by Luke Finch

illustrator & Digital Photographer Alberto Seveso was born in Milan and currently working and living in Bristol (UK) as a freelancer. 

March 10, 2017 /Luke Finch
photography, Art Direction
Uploaded by Ivan Iliev Vanche on 2015-02-10.

The Da Vinci Tower →

January 16, 2017 by Luke Finch

The Dynamic Tower, also known as the Da Vinci Tower is a planned 1,378 ft, 80-floor moving skyscraper in Dubai, United Arab Emirates designed by David Fisher. The tower will be constantly in motion changing its shape. Each floor will be able to rotate independently moving a maximum of 20 feet per minute making it one full rotation within 90 minutes. It will also generate electric energy for itself.

January 16, 2017 /Luke Finch
Architecture, Ideas

Olafur Eliasson →

January 14, 2017 by Luke Finch

Olafur Eliasson’s art is driven by his interests in perception, movement, embodied experience, and feelings of self. Eliasson strives to make the concerns of art relevant to society at large. Art, for him, is a crucial means for turning thinking into doing in the world.

 

Eliasson’s diverse works – in sculpture, painting, photography, film, and installations – have been exhibited widely throughout the world. Not limited to the confines of the museum and gallery, his practice engages the broader public sphere through architectural projects and interventions in civic space.

January 14, 2017 /Luke Finch
Art, Light, Installation

Tomas Saraceno →

January 13, 2017 by Luke Finch

Saraceno’s multidisciplinary artistic practice takes inspiration from a variety of sources ranging from architecture and space exploration to science fiction and geometries found in the biological sciences. Among these subjects, Saraceno has long included arachnology as a tool for the investigation of alternative constructions, forming the basis for recent exhibitions. 

 

Like Droplets along the Strands of a Spider’s Web. For Saraceno, spider webs spark inquiry into possible modes to redefine relationships between humans and nature, proposing utopian conditions for sustainable societies. Entering into Saraceno’s installation on the ground floor of Tanya Bonakdar Gallery, perception is reoriented in a darkened environment dotted with glowing sculptures articulated in silvery spider silk. Formed of complex interwoven geometries suspended in air, each piece appears as a unique galaxy floating within an expansive, infinite landscape. 

January 13, 2017 /Luke Finch
Art, Installation
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